Epictetus · c. 50 – c. 135 CE
Discourses 1.24 ¶4 — Epictetus
From “How We Should Struggle with Circumstances”
Translation by George Long (1877)
Epictetus, Discourses 1.24 ¶4
But a certain person will not leave to me the succession to his estate. What then? had I forgotten that not one of these things was mine. How then do we call them mine? Just as we call the bed in the inn. If then the innkeeper at his death leaves you the beds, all well; but if he leaves them to another, he will have them, and you will seek another bed. If then you shall not find one, you will sleep on the ground: only sleep with a good will and snore, and remember that tragedies have their place among the rich and kings and tyrants, but no poor man fills a part in a tragedy, except as one of the Chorus. Kings indeed commence with prosperity: “ornament the palace with garlands”: then about the third or fourth act they call out, “Oh Cithaeron, why didst thou receive me?” Slave, where are the crowns, where the diadem? The guards help thee not at all. When then you approach any of these persons, remember this that you are approaching a tragedian, not the actor, but Oedipus himself. But you say: Such a man is happy, for he walks about with many, and I also place myself with the many and walk about with many. In sum remember this: the door is open; be not more timid than little children, but as they say when the thing does not please them, “I will play no longer,” so do you, when things seem to you of such a kind, say I will no longer play, and be gone: but if you stay, do not complain.
Cite this passage
Epictetus, Discourses 1.24 ¶4, tr. George Long (1877)
https://whatwouldstoicsdo.com/passage/discourses/1.24.4
Epictetus, Discourses (as recorded by Arrian), tr. George Long (1877). Text: Standard Ebooks (CC0). Sources and licences
In plain English
AI-written notesThings you call yours are on loan, like a bed in an inn: if someone else is left them, you find another bed or sleep on the ground, and you do it calmly. The glittering lives of the powerful are the stuff of tragedy, so look at them knowing that. The passage ends by treating leaving life as an available exit when things become unbearable, which makes it sensitive.
Older wording
- “diadem”
- — a royal crown or headband
- “Chorus”
- — the group of bystanders in a Greek tragedy who comment but do not suffer the plot
- “tragedian”
- — an actor in a tragedy
Themes and situations
- Acceptance and fate
- Wealth and poverty
- Simplicity and frugality
- What is in our control
- Change and impermanence
- Losing money
- Envy and comparison
- Money, status and wanting more