Marcus Aurelius · 121–180 CE
Meditations 11.6 — Marcus Aurelius
Translation by George Long (1862)
Marcus Aurelius, Meditations 11.6
At first tragedies were brought on the stage as means of reminding men of the things which happen to them, and that it is according to nature for things to happen so, and that, if you are delighted with what is shown on the stage, you should not be troubled with that which takes place on the larger stage. For you see that these things must be accomplished thus, and that even they bear them who cry out, “O Cithæron.” And, indeed, some things are said well by the dramatic writers, of which kind is the following especially: Me and my children if the gods neglect, This has its reason too. And again— We must not chafe and fret at that which happens. And— Life’s harvest reap like the wheat’s fruitful ear. And other things of the same kind. After tragedy the old comedy was introduced, which had a magisterial freedom of speech, and by its very plainness of speaking was useful in reminding men to beware of insolence; and for this purpose too Diogenes used to take from these writers. But as to the middle comedy which came next, observe what it was, and again, for what object the new comedy was introduced, which gradually sunk down into a mere mimic artifice. That some good things are said even by these writers, everybody knows: but the whole plan of such poetry and dramaturgy, to what end does it look!
Cite this passage
Marcus Aurelius, Meditations 11.6, tr. George Long (1862)
https://whatwouldstoicsdo.com/passage/meditations/11.6
Marcus Aurelius, Meditations, tr. George Long (1862). Text: Standard Ebooks (CC0). Sources and licences
In plain English
AI-written notesTragedy first appeared on stage to remind people that suffering is a natural part of life, so if you enjoy it in the theatre you should not be rattled by the same events on the larger stage of real life, and a few lines from the playwrights, such as not fretting at what happens, put it well. Old comedy was useful for its blunt mockery of arrogance, while later comedy slid into mere imitation.
Older wording
- “dramaturgy”
- — the craft of writing and staging plays
- “chafe”
- — be irritated and restless
Themes and situations
- Acceptance and fate
- Adversity and hardship
- Pride and humility
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